LIGHT VOLUMES
2010-2013
An experiment in the merging of walls and space, the Light Volume series consists of extruded forms that cut into the space of the viewer while their interiors simultaneously carve light passages from the wall’s inner core to the exterior room. The directed shafts cause light to appear as a physical volume as opposed to an ethereal element.
The Light Drawings are technical renderings of the Light Volume series, serving as an x-ray of the form’s construction both in front of and behind the wall. Depth is indicated by the light and dark portions of the drawing. The parts of the structure that are closest to the viewer are lightest, while the darker areas map the formation behind the wall’s surface.
An experiment in the merging of walls and space, the Light Volume series consists of extruded forms that cut into the space of the viewer while their interiors simultaneously carve light passages from the wall’s inner core to the exterior room. The directed shafts cause light to appear as a physical volume as opposed to an ethereal element.
The Light Drawings are technical renderings of the Light Volume series, serving as an x-ray of the form’s construction both in front of and behind the wall. Depth is indicated by the light and dark portions of the drawing. The parts of the structure that are closest to the viewer are lightest, while the darker areas map the formation behind the wall’s surface.
An experiment in the merging of walls and space, the Light Volume series consists of extruded forms that cut into the space of the viewer while their interiors simultaneously carve light passages from the wall’s inner core to the exterior room. The directed shafts cause light to appear as a physical volume as opposed to an ethereal element.
The Light Drawings are technical renderings of the Light Volume series, serving as an x-ray of the form’s construction both in front of and behind the wall. Depth is indicated by the light and dark portions of the drawing. The parts of the structure that are closest to the viewer are lightest, while the darker areas map the formation behind the wall’s surface.
